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| Name: |
Hugo Paquete |
| E-mail: |
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| Website: |
Click Here |
| Type of Film Music: |
Alternative, Ambient, Electronic, Electronic Soundtracks, Industrial, New Age |
| Best Suited For Film Genres: |
Art, Crime, Drama, Fantasy, Horror, Mystery, Religion/Spirituality, Science Fiction, War |
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| If interested, contact information is listed above |  |
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Hugo Paquete has developed an exploratory course into visual arts and new media, exploring the complex relationship between man and the real and their language, perception and technological paradigms. His works transport us to a purified and synthesized language, with the intent of portraying a structuralist aesthetics of mental landscapes, trying a more conceptualist relationship with objects, in which from departing logic we attain abstraction. Project SSTFM (synthetic sound to fit mind) comes in the development of audio-installation and performative research he has realized. Exploring the relation between space and communication, with complex sound structures, transporting us to journeys of recognition of sound while a physical, tangible, tactile matter. Sound art In my sound and installation research, I try to develop a minimalist aesthetics, recurring only to the potential character of sonic situationism, that sometimes is constructed for a given physical space. My aim is to develop a physical and psychological sound experience, distancing the receptor to a sonic universe, without a directly induced image, leaving him in an open space to his reactivity and potentiating an experience of rupture with the contemporary media society, where images proliferate. This research is a point of resistance that intends to construct with the receptor's sensory system an image of spatial music elaborated according to some acoustics principles, distance and rhythm, thus building a mental and physical experience according to the frequencies used. In my work I explore concepts that go from the reality to the abstractive elements from exploring their symbolic dimension and the form that we recognize them in there spatial and cognitive dimension. The importance of this research is the sound situations that I construct exploring concepts about perception and space knowledge and the boundaries about the human perception and art that are fundamental to the perceptive theories that are important to the understanding of the visual world that surround us with all the divergent information. My sound work is a contribution to the perceptive theories and to the organisation and understanding of the visual and sound phenomenology's, exploring the human aesthetic, and the contemporary universes of the media. Human vs. machine vs. reality a relation of dependence and antagonism...
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Portraying a structuralist aesthetics of mental landscapes, trying a more conceptualist relationship with objects, in which from departing logic we attain abstraction.
Exploring the relation between space and communication, with complex sound structures, transporting us to journeys of recognition of sound while a physical, tangible, tactile matter.
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