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| Name: |
Chris Fuller |
| E-mail: |
Click Here To E-mail |
| Website: |
Click Here |
| Type of Film Music: |
Ambient, Chamber, Composer, Electro-Orchestral, Electronic, Electronic Soundtracks, Orchestral Soundtracks, Progressive Rock, Rock |
| Best Suited For Film Genres: |
Art, Crime, Drama, History/Biography, Horror, Mystery, Religion/Spirituality, Thriller |
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| If interested, contact information is listed above |  |
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Over the past year,just for example, I've done: a sad and intimate piece using violin and cello; a piano piece that (deliberately) sounded like it was played by a drunk in an old saloon; a guitar-driven, rockabilly number "roughed-up" to sound convincingly "vintage"; a quiet "capote-esque" underscore with gentle piano and soft strings, dark and angry music with horns, strings and harpsichord, nostalgic Nick Drake-ish stuff without the voice, "traditional-ish" Asian folk music, as well as ambient and electronic.
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In a Documentary: To provide continuity to a montage and smooth transitions.
In a Drama: Emmotive underscore to convey or embellish a character's inner experience. e.g. receiving bad news on the phone or the moment of a pivotal decision that resolves or transforms the story.
In Horror/Suspense: Creating a disturbing atmosphere or one of extreme tension. Also, I can write music that suggests information to the audience that a character might not be privy to, or only suspect.
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•Place music in independent films
•Your gear used in films
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•Find music for your film
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| CONRAD ZERO |
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| HESKETH MEDIA |
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| TONY RAY KLIMEK |
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