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| Name: |
Igor Nemirovsky |
| E-mail: |
Click Here To E-mail |
| Website: |
Click Here |
| Type of Film Music: |
Ambient, Chamber, Chamber Music, Composer, Electro-Orchestral, Electronic Soundtracks, Folk, Hindi, Industrial, Jazz Big Band, New Age, Orchestral Soundtracks, Traditional Folk, World |
| Best Suited For Film Genres: |
Action, Adventure, Art, Children's Family, Comedy, Crime, Drama, Fantasy, Horror, Mystery, Romance, Science Fiction, Spy Film, Thriller, War |
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| If interested, contact information is listed above |  |
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My music is usually orchestral, and often highly colorful. I tend to hear music in colors and treat each instrument family as sort of a blotch of paint on a palette.
Melody is also important to me. This doesn't mean I can't do ambient music. But music with a strong melodic focal point is where my best work comes out, I think. I'm also a harmony nut, in that I'm just way too in love with harmonic modulations. I guess what all of this amounts to is that Debussy was a big influence on my education. And the likes of John Williams and Jerry Goldsmith were my introductions.
I'm also a little too in love with the overtone series and lydian harmonies at the moment. In non-musical terms, think Thomas Newman or Bjork or James Horner.
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| I suppose, given the way lydian modality moves me (perhaps in excess), my music would fit well with scenes of longing or irresolute moments. Moments of tension or forward movement. A scene in particular might be that shot of Lester Burnham in the movie, American Beauty, where he's jogging and becoming more fit. The overtone modality would then affect a certain feeling of both hope and dread all at once.
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