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| Name: |
Severine Baron |
| E-mail: |
Click Here To E-mail |
| Website: |
Click Here |
| Type of Film Music: |
Ambient, Avangard Electronic, Electronic, Electronic Soundtracks |
| Best Suited For Film Genres: |
Action, Crime, Drama, Fantasy, Horror, Mystery, Religion/Spirituality, Science Fiction, Spy Film, Thriller |
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| If interested, contact information is listed above |  |
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http://www.myspace.com/severinebaron
http://www.soundclick.com/severinebaron
Sev, as she's called bipedally by friends and colleagues, is capable of the most transfixing and euphoric atmospheres this side of the womb. Beautifully disturbing as well as Orca-calling, Sev's sonic down comforters can make any John Cage novice quit music school and become a Nyquil addict. A taffy stretcher of the finest sine waves, her music can massage the skins on the eardrums of any self-anthropomorphized android looking to defrag its life. Solid State geeks will wander, minimalists will mingle and stoners may soar, but Baron's music is in its own class of ambient music. In fact, if Eric Satie composed musical furniture, Severine creates musical sense-depravation tanks. With everything from C-sound to Logic, Soundhack to blah, blah, blah and a rich taste for synthesis mutation at her fingertips, Baron's work shows how binary next to French can be the most alluring yet challenging language to harness.
If Richard D. James has bastard children who carry on his forte for classical piano, Sev may very well qualify. Of course, Severine may be born of truer Alien and Gelfling DNA than even Richard would concoct. Paralleled with sheer virtuosity on the ebony and ivories, her piece "Out! I Said"mildly reflects her piano days in a short Reason-sequenced piece akin to Chopin going through an exorcism.
Her talent for granular synth-moding is a true testimony to what happens when out-of-body experiences somehow find their way into computers. Till this day she cannot stop conversing with the voices. Her therapist and dealer (software, of course) says she's gonna be just fine. Nevertheless, being farthest from anything post-hippie or New Age, Sev's strange proclivity for astral projection has inspired a lot of these C-sound pieces. And thank you for choosing Air Baroness...
The Sirens of today have a new medium. The modern Pandora's Box is now a laptop, and The Mists of Avalon have all been digitized, low passed and time compressed. Where once there needed placenta, gurney and strain, now trequires hard drive space and endless imagination. Severine Baron's work gives birth to new atmosphere. And where there is fresh air you need only ears to breathe it.
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Well, the best that my music would fit with would be where landscapes or really powerful images are incorporated.
Examples would be:
"Seven Years in Tibet" or "Kundun" where there are also scenes of intense emotions which my music can support very well being rather intense at times.
"The scent of the Green Papaya" with its really colorful almost still images and minimal dialog. I think my work would in this case help support the reactions of the characters, the unspoken moments, and the symbolism attached.
"Hatred" (french movie by Matthieu Kassovitz) is a good example of an indie movie (that has gone bigger I admit.:]) in black and white that shows so much anger, suspense and horrible sights... This type of atmosphere could be brought out by my music as well, the more heavy pieces I made show a certain anger and chaos that suits these "real" drama.
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